Through the Looking-Glass on Pizarnik's work as a whole. A glance through Pizarnik's Obras completas suffices to reveal that the impact is considerable, and is. Letters from Alejandra Pizarnik to Antonio Beneyto Alejandra Pizarnik, Antonio Beneyto Carlota Caulfield In Obra completa. Buenos Aires: Sur, Andre ́. “No sé dónde detenerme y morar” (I do not know where to stop and dwell; Pizarnik, Obras completas, 31). Moreover, language is now empty. It does not even.
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Who has reached this place that no one ever reaches?
The lord of those dead who are dressed in red. The man who is masked in a faceless face.
The one who came for her takes her without him. For some, her work is a symbol of the destruction of the individual by neo-Fascist tyranny. Pizarnik spent several years in Paris in contact with the European pizarnik obras completas vanguard and toward pizarnik obras completas end of her life held a Guggenheim Foundation award.
InAlejandra went to Paris, where she worked as a freelance proofreader and translator. She also wrote poetry and criticism for Latin American, Spanish, and French literary magazines.